Aaaaah I've been searching for that second chord for years! How do you play it?

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It's a great song indeed! It's never been a HUGE favorite but it was one of the most fun songs to record once I learned it. That second chord is really cool, it carries the vibe of the whole song I think. It's a weird jazzy Bbmaj11 chord played like this:TristramShandy wrote: ↑04 Nov 2021, 20:17It Could Be You is brilliant!
Aaaaah I've been searching for that second chord for years! How do you play it?I can roughly see the shape, tho I'm in doubt as for the D string...
That's true, it's definitely a fav of Graham's. He uses the same shape (or similar) in songs like "B.L.U.R.E.M.I" (I've also done this one and am planning to release next week) and "Lake" just to name a few more. But "It Could Be You" must be one of the first times he experimented with it.TristramShandy wrote: ↑06 Nov 2021, 00:38Thanks!
Very interesting, tho, I thought this type of chord shapes did not appear in Graham's playing before much later (Coffee & TV, etc.).
Thanks - I was gonna ask for Polished Stone!essex-dogs wrote: ↑06 Nov 2021, 01:15On a different topic, I just posted a bit of "Polished Stone" here if anyone's interested in this weirdly cool b-side![]()
https://www.instagram.com/tv/CV6juOQr_V ... =copy_link
Hey Rich thanks a lot for your suggestion! A LOT of people have been asking for this song, I'm not sure why. But by far it's the most requested song since I've started the project. I'll try my best to uplod a cover of "Swallows in the Heatwave" this week.
It certainly does! I've been away from home lately so it's slowed me down but I'll post Swallows pretty soon, it's been highly requested. It's also sounding great!
It seems like the real challenge is dodging the copyright claims! I've been working on Essex Dogs but Youtube blocks it straight away in North America, which is why I posted a 3-minute snippet on Instagram instead.
Yeah Graham uses de DD3 and it's very easy to see him achieving the results in live performances of the song, most notably the Glasto 98 and East Anglian 09. However, I'll probably record "Essex Dogs" from scratch because I've just recently realized that Graham uses the "hold" function, with his foot pressing the pedal and never letting it go. As for me, what I did was leave "level" and "feedback" almost 100% and played with the "time" knob. But you dont wanna use 100% of level and feedback because the DD3 will get off the rails and the feedback will make the guitar signal louder and louder. But yeah I'm 100% sure he uses the "hold" function, it's way more evident on the second part of the song, after the "you'll catch the flu" line.TristramShandy wrote: ↑15 Nov 2021, 14:51Well done!
I never knew the guitar pitch effect on Essex Dogs was actually achieved with the DD! I always assumed that was a prod effect (I vaguely remember Stephen Street saying that, a feature on the "radar" device he used for the recording of the S/T album). Do you mind sharing your pedal settings for that?![]()
Hey rich! Thanks a lot for your compliments, I appreciate it a lot! Just so you know I'm also a big fan of your live videos whenever you go to any Blur-related concerts!